e - History Page - highland litho-ceramics

	Date/Time	Made By	Edit Note	Type	Scope
	Apr 25 2010, 8:33 PM EDT	highlandlit		edit	49 words added 35 words deleted
Change: an open area and try to draw the area whereceramic Ipeice thinkin the potteryarea with goes,cahnging light. I get the shape from what develops, from the light and darks,dark, from the space, relationships in color and distance, and from my feelings for area. I View changes from previous version. (Word count: 687)
	Apr 21 2010, 3:23 AM EDT	highlandlit		edit	10 words added 27 words deleted
Change: gifts from the unique firing processes. Something nice about the deepness of the glazesa andpassing themoment, heavenlyrich colors.in potential. The meat about my recent pieces, (I first found in college), is the dynamic interaction between flat colors, a chance to look with subjectivity. I'm View changes from previous version. (Word count: 671)
	Apr 21 2010, 3:16 AM EDT	highlandlit		edit	283 words added 294 words deleted
Change: ceramics, was my first priority. Even before my first semester I spent the summer working in the new art labs, Professor Elsner shared the basics for three dimensional representation in sculpture. And professor, Alan Bennett helped Edwardme to develop a visual sense, character in the work I'd produce, and View changes from previous version. (Word count: 688)
	Jan 7 2010, 11:12 PM EST	highlandlit		edit	50 words added 48 words deleted
Change: hands, and its own tactile nature, and speak.flames. These recent pieces are new paths in Edwards ceramics, some are hanging and standing works, some traditional shapes and some altered. “ The spaces which a pottery piece lives in is very much a concern to me and sometimes I View changes from previous version. (Word count: 698)
	Dec 31 2009, 10:41 PM EST	highlandlit		edit	1 word deleted
Change: a vibrant animated characters dress the ceramic surfaces. They will always continue to be, the endeavor for this Creativity. As a potter must first center the clay to begin, Edwards starting point is centered to View changes from previous version. (Word count: 696)
	Apr 12 2009, 1:30 AM EDT	highlandlit		edit	6 words added 15 words deleted
Change: been, and will continue to be, the endeavor for Edwardsthis Creativity. As a potter must first center the clay to begin, Edwards starting point is centered to the treaty between View changes from previous version. (Word count: 697)
	Apr 11 2009, 2:11 AM EDT	highlandlit		edit	11 words added 2 words deleted
Change: material, these designs complement the shapes that well. To a great extent; a potter is connected to the character of the material, because clay has a distinctive physical propertyproperty, there are natural limits to how far clay will stretch. View changes from previous version. (Word count: 706)
	Mar 21 2009, 2:06 PM EDT	Anonymous	The Gift	edit
Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 697)
	Mar 21 2009, 2:05 PM EDT	Anonymous		edit	2 words added 1 word deleted
Change: the gift. Love for the material, and its many mysteries brought Edward to develop his technical ability, and a talent to recognize visual balance in ceramic View changes from previous version. (Word count: 697)
	Mar 21 2009, 1:07 PM EDT	Anonymous		edit	1 word added 1 word deleted
Change: the viewer cohereses and holds the interest. My very early color plate explorations were done in the spirit and passion of someone attacking a canvas inspired by the brilliant colors of the landscapelandscape, colors reproduced in the colors of glaze tests at school. View changes from previous version. (Word count: 696)
	Mar 21 2009, 12:55 PM EDT	Anonymous		edit	10 words added 8 words deleted
Change: the plus and minus spaces of wide open expanses comparing theexpanses. The generation of some morale shift into the foreground space where interaction with the viewer cohereses and holds the interest interest. My very early color plate explorations were done in View changes from previous version. (Word count: 696)
	Mar 21 2009, 12:41 PM EDT	Anonymous		edit
Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 694)
	Mar 21 2009, 12:39 PM EDT	Anonymous		edit
Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 694)
	Mar 21 2009, 12:38 PM EDT	Anonymous		edit
Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 694)
	Mar 21 2009, 12:34 PM EDT	Anonymous		edit
Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 694)
	Mar 21 2009, 12:33 PM EDT	Anonymous		edit
Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 694)
	Mar 21 2009, 12:32 PM EDT	Anonymous		edit	36 words added 29 words deleted
Change: it a close connection to mankind. Love for the material, and theits many mysteries brought Edward to develop his technical ability, and a talent to recognize visual balance in ceramic forms. As a college freshmanfreshman, Edwardregistering Stonefor registeredclasses, formore classesof inlifes art View changes from previous version. (Word count: 694)
	Mar 18 2009, 8:47 PM EDT	highlandlit		edit	134 words added
Change: …are characterizations as a landscape an interscape of the an area between the human form and constraints of wide open expanses comparing the generation of View changes from previous version. (Word count: 687)
	Feb 26 2009, 2:37 AM EST	highlandlit		edit
Change: There were only format changes (bold, italics, etc.) in this version. See this version for details. (Word count: 553)
	Feb 26 2009, 2:37 AM EST	Anonymous		edit	6 words deleted
Change: of surface preparations, and gifts from the unique firing processes. Something nice about the deepness of the glazes and the heavenly colors. for three dimensioned vision in sculpture. View changes from previous version. (Word count: 553)